Reservoir of European Youth, Parliament

A few days ago I walked to the nearby Pasteleira Park, planning to visit the city museum at the Reservoir. Walking through the park I noticed a large group of young people gathered in a circle, engaged in team-building activities.

My days in education attuned me to the spectacle and piqued my interest, so I sat on a nearby bench and watched as a succession of enthusiastic students ran to the center and started an activity, which all the others joined enthusiastically. What sort of group would this be? A typical high school class would include a portion of disinterested teens, and others only half-heartedly participating. This crowd was unanimous in their excitement. I also noted that the leaders were speaking in English, though the breeze muffled the words.

I walked around, found a couple of older participants on the side, with official-looking lanyards, and asked: this was an activity of European Youth Parliament, similar to Model UN (which I started or chaperoned in four different schools). Several university students are mentors (there were only 1 or 2 obviously-older adults present) to the 80 high school students from various European countries, here for a long weekend of parliamentary practice. And yes, English is the lingua franca of the EU, and of teenagers everywhere.

Later I walked up to the Reservatório, the old reservoir recently converted into an archaeological museum, to find that our neighborhood by the sea was annexed into the city of Porto in 1885, and the reservoir was then built to provide city water to the newly-annexed neighborhood. The reservoir was gradually replaced twenty years ago.

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String Quartet Broken String

We attended a marvelous concert last night, at the Porto Museum of Casa do Infante , a beautifully-renovated 1325 building near the river. At one point it served as a customs house. The government sponsors Portuguese musicians to return from other European orchestras to perform in their homeland. We heard and saw this group play a traditional piece – Haydn string quartet Opus 20 #2. Then the modern Benjamin Britten's Three Divertimenti – the stunning last movement of which they performed as an encore. They performed (and I recorded) the Shostakovich Quartet #9, during which the first-violinist broke a string (it features several strongly-plucked chords!) and had to retreat&repeat!

EUA: tanto estrago em tão pouco tempo

As part of my effort to learn about Portugal, both the country and the language, I'm subscribing to the centrist newspaper, O Publico . There are plenty of newspapers: conservative tabloids, and socialist and communist-sponsored daily papers; I find O Publico to be most sober, with consistently interesting columnists and opinion pieces, in addition to some local (Porto) news, with just enough sporting news to keep me chatting with the taxi driver. Today's opinion piece sums up, I think, European pundits' view of the U.S. government. As the title puts it: so much damage in so little time. I shudder at the rank incompetence and corrupt behavior, demonstrating a cynical attitude toward public service, showing indeed that the cruelty is the point. What scandal, what damage will be the tipping point to collapse this government? And what will it take to recover from the damage? Who will be able to trust the US government again, ever? Only ni...

Música Tunas e Boémia

We attended an unusual concert last night: Música Tunas e Boémia (bands and parties) University student folk-music groups — big groups of 40 and more each! put on a great show of singing, playing, flag-twirling, tambourine-swinging, all at the major (private) concert hall. The most unusual thing about it was that nobody used any electronic device (except for microphone amplification)—no electric guitar or keyboard, no big drum set…every instrument and prop was hand-held. The singing was quite good, given the effort to synchronize 40 voices.

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