Skip to main content

Daylight Savings Time begins in Bordeaux

 Daylight Savings Time begins in France, so we lose an hour of sleep.  


Beautiful sunny weather awaits us at breakfast, then a drive through the big village of Hasparren and Utxurru with a visit to their Church of St.JeanBaptiste, with its 3 wooden galleries along the side, characteristic of Basque churches, where the male choir typically stands and sings.  Then coffee at the Café Atakara, back home for another lunch from chef Maxime: spanish ham & olives, followed by mashed potatoes and stew of wild boar (cooked CV, Cuit à la Vin: chilled, marinated overnight, then slow-cooked for three hours).  Then of course the cheese plate, followed by a replay of the Tarte Tatin.  Sitting and chatting, then driving to Bayonne station, where Maxime helps us with the suitcases as there is no elevator connecting the platforms, and our TGV InOui train is a double-decker (voiture 17, sièges 111 & 112).


Arrive at Bordeaux, a few minutes delay waiting for the platform, quite a large crowd exchanging trains – I ask a teenage passenger to help get one of our heavy suitcases down from the upperdeck, he very nicely agreed.  

We took a taxi to our airbnb at 6, Rue des 3 Chandeliers, a tiny road tucked behind the Place Camille Julian.  Host Alain met us there, showed us into a 17th century building renovated carefully into apartments—the entryway, courtyard, hallway seem as if 300 years old; then the apartment only 20 years old!  Small, with only 1 window, into the courtyard, from the kitchen/mainroom.  In order to simulate some space, the bedroom has a large window into the mainroom.  But all works fine, and it is certainly solid and quiet, and convenient!  

I walk out to the nearby Carrefour Express to buy a few breakfast items and wine, though their baguettes are sold out, as they closed at 8pm! 


TV has a varied selection, including France24 English & Arabic, and Med1 (Moroccan), and CNN and CNBC, and AlJazeera English & Arabic.


Comments

Popular posts from this blog

Riding the Bus often

From 201010 Saudi scenes It is ironic that this land of cheap gasoline has so much group transport -- buses. From 201010 Saudi scenes Our housing compound has a Toyota-Coaster bus that takes some to/from school (we usually go earlier and return later, on a similar bus that the school provides). Driver Yahya takes residents on the 90-minute trip down to the Big City shopping every Thursday morning. The above picture shows our group one Thursday, usually going to Ikea or the new Lulu's Hypermarket , or the Dhahran Mall. Coleman rides a different bus every day to and from school -- usually 100 minutes there, 80 minutes back.  His bus is evidently an old tourist bus, usually comfortable but a bit dusty.  The air-conditioning usually works too well.  I've ridden it with him several times, to attend business meetings at the district office. From 201010 Saudi scenes There he is, at 5:45am every morning, at the start of the bus run. Fortunately only about 20 stu...

String Quartet Broken String

  We attended a marvelous concert last night, at the Porto Museum of Casa do Infante , a beautifully-renovated 1325 building near the river.  At one point it served as a customs house.  The government sponsors Portuguese musicians to return from other European orchestras to perform in their homeland.  We heard and saw this group play a traditional piece – Haydn string quartet Opus 20 #2.  Then the modern Benjamin Britten's Three Divertimenti – the stunning last movement of which they performed as an encore.  They performed (and I recorded) the Shostakovich Quartet #9, during which the first-violinist broke a string (it features several strongly-plucked chords!) and had to retreat&repeat! 

Música Tunas e Boémia

  We attended an unusual concert last night:  Música Tunas e Boémia (bands and parties) University student folk-music groups — big groups of 40 and more each!  put on a great show of singing, playing, flag-twirling, tambourine-swinging, all at the major (private) concert hall.  The most unusual thing about it was that nobody used any electronic device (except for microphone amplification)—no electric guitar or keyboard, no big drum set…every instrument and prop was hand-held.  The singing was quite good, given the effort to synchronize 40 voices.